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Broadly it seems clear that the Cavs just made themselves viable and flexible for the near- future, but this trade is much harder to assess from the Celtics vantage point. No one is scrambling to pay an injured and aging Isaiah Thomas, but was Irving worth throwing all that other value overboard? Even a casual NBA fan could reel off five (okay, at worst, four) superior point guards: Chris Paul, James Harden, Steph Curry, Russell Westbrook, John Wall, to say nothing of the trickier comparisons that Damian Lillard or Kyle Lowry might invite. In a prickly parenthetical, Rob Mahoney at Sports Illustratedasserted today that Irving isn’t even the best player on the Celtics roster, slotting him below Gordon Hayward, who was acquired with far less pain. The on- paper r. But by age 2. All- NBA team and three straight Finals, sunk his share of iconic shots, filled highlight reels with spurts of iso scoring that seem to accrue even greater value in the playoffs, which pose a grinding series of matchup puzzles. But what do you make of Kyrie Irving’s seasons before the arrival of one of the best basketball players ever? What do those three lonesome seasons of Eastern Conference bottom- feeding tell you about the future, if anything? And what happens after he sets off on his own again? Will he be able to get his fill even after being unsatisfied with a 3. Le. Bron damn James? Are his ball- dominant habits—his field- goal percentage skyrockets to 4. NBA trends, and this new unselfish cast of teammates in particular? Can he be trusted to direct an offense, now that he has been separated from the man who always put the ball where it needed to go? Will he ever learn to play defense and justify his height advantage over the wee genius he replaced, or will he continue to hide wherever he can? Is he just a shoe- and ticket- selling sideshow with golden handles or one of the best players of his generation? Any proximity to James or a similarly game- breaking player makes it hard to weigh exactly how much a player is worth; just ask any team who signed Mo Williams or people who bought Daniel Gibson jerseys. But now Irving is free to answer all these questions right as he enters what should be his prime. That he was swapped out for a very similar player makes this experiment even juicier. As someone with no particular emotional stake in the Cavs or Celtics as franchises, but who watched Irving play when none of this ever seemed possible, the most interesting part of this season will be seeing all these vague hypotheticals tested. The only thing I know for sure is that the Celtics open against the Cavaliers on October 1. Irving will seamlessly fill Thomas’s shoes in this capacity. DJI Will Turn Off Your Spark Drone if You Don't Update Firmware by September 1st. Chinese manufacturer DJI has announced that owners of its Spark drone have until September 1st to update their firmware to the latest version or be totally locked out. Per Quartz, the decision to essentially hold users’ devices hostage came after reports of the drones randomly falling out of the sky, which users think was due to an issue with Spark’s battery firmware. In a press release, the company suggested it took the hardline approach due to safety concerns.“DJI decided on the option of a mandatory firmware update in order to maximize flight safety and product reliability which we consider as top priorities,” the company wrote. The update will improve stability, connectivity and the battery firmware. While locking users out of their software is questionable, it’s indisputable that nobody wants a blade- spinning drone to come crashing down on their heads. That goes double for a manufacturer which could, in theory, be held liable for a major safety issue. Locking users out is a dramatic measure. But the press release does not rule out the possibility of updating the software after the deadline to return their Sparks to flight- ready status. In the unlikely possibility there is no official ability to install the new update after the deadline, it’s nearly certain the drone community would come up with some kind of way to unofficially update it to the correct version and restore normal functionality. In May, DJI also announced users would be locked out of flight capabilities if they failed to register their devices in its database—ensuring software updates would allow users to comply with regional regulations. The good news: As Gizmodo noted in its review of the Spark, the drone itself is awesome, packing the feature set of a much larger drone into a small and capable package. So if the issues have been fixed, there’s not much to worry about. We have told you to use safety glasses. We have tried so very hard, and we are so very tired. Here are some people who’ve collectively said “fuck it, we’re doing it anyway.”Yeah, we know they’re kidding. Don’t do it. Update 3: 3. EDT: We told you!!!!
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How do I download a file to my i. Phone? Where do I download it to? These are questions I’ve recently been asked, but also problems I have faced myself. In this post, I’ll try to share different options for downloading files to an i. Phone or i. Pad. Where to download files to on an i. Phone or i. Pad. As mentioned above, there is no accessible file system on i. This post lists top 18 sites to download free music for iPod, iPhone 5s/5c/5/4s/4, iPad, iTunes, MP3 player safely, easily and fast.![]() OS, which means we can’t just download files to a default Documents folder or similar on the drive. Apple has made the lack of accessible file system a little easier to swallow over the past couple years, specifically with the expansion of i. Cloud services but also with i. Cloud Drive, a front facing app for most files stored in i. Cloud. Apple has also opened things up to third- party applications. Dropbox is probably the most familiar name in the space. Google Drive is also a popular option, and for those users who have limited i. Cloud storage, these two services might be the best options to download files. By default, these files won’t be on the device. They will be stored in the cloud and accessible from the device, and in some cases, users will be able to download them for offline access. In which case, they will be on the device itself as well. No matter what, files will have to be downloaded to a cloud service. It can be i. Cloud, Dropbox, Google Drive, or other similar services. In this post, we’ll be working with Dropbox, but the principle is the same regardless of the service used. All the screenshots will be from an i. Phone, but again, the basic principles are identical regardless of the i. OS device you’re using, be it an i. Phone, i. Pad, or i. Pod touch. How to download files on i. Phone and i. Pad. The basic principle to download files from your i. Phone or i. 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Now tap the Save button, or choose a different folder where to save the file, then tap Save. That’s it. The file has now been saved to your Dropbox account and will be available for easy access across all your devices, such as your computer, your i. Phone, i. Pad, etc. Once it’s in Dropbox (or Google Drive, or whatever other service you may use), you can easily access and share this file from anywhere, assuming you have an Internet connection. Downloading files from a password- protected website. The steps mentioned above work great if the file you are trying to download is available publicly from a website. But things can get a little tricky if you are trying to download a file or document that is stored on a password- protected website. If that’s the case, we’ll need to use another third- party application to do the job. That applications is called Documents 5, and it’s free to download from the App Store. 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If you choose to download the file to the Documents/Download folder, then the file will be stored locally on your device. From Documents 5, you will then be able to move it to i. Cloud or Dropbox, or Google Drive, for example. You will also be able to share it via email. Why Documents 5 is a must- have application. Despite the fact that it is completely free, Documents 5 is a great application to have if you’re handling files on your i. Phone or i. Pad. It makes downloading and moving files around a breeze. Because it can tie in to various cloud services, and let you access and move files between them, Documents 5 can be the central location for all your file handling needs. Although not as simple as a drag and drop gesture would be on a computer, As pointed out by Prolly. Wild in the comments section, Documents 5 can even let you move files around folders and cloud services by using a drag and drop gesture, making file handling almost as simple as it would be on a desktop computer. To move a file, simply tap and hold your finger on it, then drag it to your destination of choice. It can be a folder, or a cloud service such as i. Cloud, Dropbox, etc. Downloading files on i. Phone or i. Pad is a pain. No matter how good you are at getting this workflow down, it still feels like downloading files and documents from an i. Phone or i. Pad is a giant pain in the butt. It’s not complex per say, but it’s an inelegant process that needs some work. Don’t get me wrong, I’m very happy to be able to download files this way, but I wish Apple would let me access part of the drive of my i. Phone or i. Pad so I can painlessly download stuff to my liking. Maybe this will be part of a future software update, especially now that Apple is trying hard to pitch i. Pad as a work machine. In the meantime, if you’re interested in learning (much) more about how to download files on i. 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K (and higher) and HDR video, and the Lumetri Color tool. It has also added class- leading collaboration capabilities. ![]() NOTE: You will need Adobe Acrobat Reader 5.0 or greater to view these files. CLICK HERE to download the free reader.All of this makes Premiere well worthy of an ditors' Choice award for professional- level video- editing software. While Apple made a drastic break with the past when it updated Final Cut Pro X, Adobe continues to take an incremental approach, polishing the interface and adding state- of- the art tools to its professional video editing software, Premiere Pro CC.
Those used to traditional nonlinear digital video editing will applaud Premiere's familiar approach, but in its favor, Final Cut offers some innovative tools like connected clips, auditions, and a trackless timeline that can ease the work of editors. Pricing and System Requirements. Premiere Pro is now only available by subscription to Adobe Creative Cloud. 39 1 70 1 0. 117 1 70 1. Current File (2) 2014/10/28 2014/11/12 John Wiley & Sons Information Technology & Software Development Adobe Creative Team. Adobe Press Digital Media. Offers 50 GB of free storage space. Uploaded files are encrypted and only the user holds the decryption keys. ![]() The cross- platform program runs on mac. OS 1. 0. 1. 0 through 1. Windows 7 through Windows 1. It also requires a minimum of 8. GB of RAM (1. 6GB recommended), and a 1,2. The program by itself costs $1. You can also get it as part of the complete suite of Adobe professional applications for $4. There is a free 3. Because Premiere is sold as a subscription, not only is the immediate dent on your pocketbook lessened (prior to the new pricing plan, it cost a cool $7. When you install Premiere, you also get Adobe Media Encoder, which converts output to a wide variety of formats for online and broadcast. Interface. Premiere Pro has a good- looking, flexible interface. The startup view helps you quickly get to projects you've been working on, begin new projects, or search Adobe Stock. The dark program window makes your clips the center of attention, and you can switch among functions like Assembly, Editing, Color, Effects, Audio, and Titles. You can edit these or create your own custom workspaces, and even pull off any of its panels and float them wherever you want on your display(s). You can now create content bins based on search terms. By default, the editor uses a four- panel layout, with the source preview at top left, a project preview at top right, your project assets at lower- left, and the timeline tracks along the lower right. You can add and remove control buttons to taste; Adobe has removed a bunch by default for a cleaner interface. Since many editors rely on keyboard shortcuts like J, K, and L for navigating through a project, fewer buttons and a cleaner screen make a lot of sense. It's a very flexible interface, and you can undock and drag around windows to your heart's content. When you hover the mouse over a clip in the source panel, it scrubs through the video. Premiere is now touch- friendly, letting you move clips and timeline elements around with a finger or tap buttons. You can also pinch- zoom the timeline or video preview window. You can even set in and out points with a tap on thumbnails in the source bin. Final Cut supports the new Mac. Book Pro Touch Bar, but I prefer the on- screen touch capability, since, unlike the Touch Bar, the touch screen doesn't require you to take your eyes off the screen and therefore your video project. When you click on a media thumbnail, you get a scrubber bar and can mark in and out points right there, before you insert the clip into your project. Premiere offers several ways to insert a clip into your sequence. You can click the Insert or Overwrite buttons in the source preview monitor, or you can just drag the clip's thumbnail from the media browser onto the timeline or onto the preview monitor. Holding Command (or Ctrl on Windows) makes your clip overwrite the timeline contents. You can even drag files directly from the OS's file system into the project. The media browser also has tabs for Effects, Markers, and History, the last of which can be help you back to a good spot if you mess up. Markers, too, have been improved, with the ability to attach notes and place multiple markers at the same time point. Markers can have durations in frame time codes, and the Markers tab shows you entries with all this for every marker in a clip or sequence. Clicking on a marker entry here jumps you right to its point in the movie. Any device that can create video footage is fair game for import to Premiere Pro. The software can capture from tape, with scene detection, shuttle transport, and time- code settings. It also imports raw file format from pro- level cameras like the Arri Alexa, Canon Cinema EOS C3. Red Epic. Resolutions of up to 8. K are supported. And, of course, you can import video from smartphones and DSLRS, as well. For high- frame- rate video, the program lets you use proxy media for faster editing. Trimming Clips in Your Project. Premiere Pro continues to offer the four edit types that sound like they belong at a waterpark—Roll, Ripple, Slip, and Slide—and adds a Regular Trim mode. They're all clearly accessible at the left of the timeline. The cursor shape and color give visual cues about which kind of edit you're dealing with. A welcome new capability is that you can actually make edits while playback is rolling. In a nice touch, holding down the mouse button while moving a clip edit point (or double- clicking on an edit point) opens a view of both clips in the preview window. If you double click on the edit point it switches to Trim mode, which shows the outgoing and incoming frames, with buttons for moving back and forward by 1 frame or 5 and another to apply the default transition. As with Adobe Photoshop image layers, layer support in Premiere Pro lets you apply adjustments. These will affect all tracks below them. You create a new adjustment layer by right- clicking in the project panel. Then you drag it onto a clip your timeline, and start applying effects. Transitions and Effects. If you've been reading my recent reviews of enthusiast- level video editing software, you may be surprised to learn that Premiere Pro includes just 3. This is because in the pro community, most of those hundreds of transitions offered by the likes of Cyber. Link Power. Director are considered tacky—if pros want to do fancy transitions, they build their own striking, custom ones in After Effects or buy polished premade ones via third- party plug- ins. Otherwise, all the video effects you'd expect are present—keying, lighting, colorizing, and transforming. You can apply an effect just by double clicking. A search box makes it easy to find the effect or transition you need. The Warp Stabilize feature, brought over from After Effects, is very effective at smoothing out bumpy video. But it takes a while, analyzing one frame at a time. You can adjust the amount of cropping, tweak the percent smoothness, and make the borders auto- scale. But the long wait pays off. The result was very noticeably smoother than in Final Cut Pro X in my testing. Collaboration. New collaboration features rank high in the list of new features in Premiere Pro. Creative Cloud Libraries let you store and organize assets online, and the beta Team Projects feature lets editors and motion graphics artists using After Effects collaborate in real time. The Teams features are only available for business- level accounts, which cost $2. Any Premiere user can sync settings to Creative Cloud, for editing from different PCs and locations. This also means that editors can go to any machine running Premiere and see their environment tweaks duplicated by signing into the cloud. VR Video. Premiere lets you view 3. VR footage and change the field of view and angle. You can view this content in anaglyphic form, which is a fancy way of saying you can see it in 3. D using standard red- and- blue glasses. You can also have your video track a head- mounted display's view. The program, however, couldn't open my Samsung Gear 3. Corel Video. Studio, Cyber. Link Power. Director, and Pinnacle Studio can all open the footage without this conversion. You can't see the spherical view alongside the flattened view as you can in those apps, either, but you can easily toggle back and forth between these views if you add the VR button to the preview window. Helpfully, the tool lets you tag a video as VR, so that Facebook or You. Tube can tell it's 3. Multi- Camera Angle Editing. Multi- cam in Premiere can now accommodate an unlimited number of angles, limited only by your system capabilities. Final Cut Pro X lets you work with only 6. In Premiere, you select your clips and choose Create Multi- Camera Source Sequence from the right- click or Clip menus, and then choose a syncing method. The program now does a good job of syncing clips based on their audio, which is helpful for DSLR- shot clips, since they have no time codes. As in Final Cut, a Multi- Camera Monitor lets you record angle changes as the composite video plays, either by simply clicking on the angle's tile or corresponding number. You can then adjust the cuts with the normal editing tools. Color Adjustments and Effects. The Lumetri Color Tools in Premiere brings the program up to the status of Photoshop for video. These tools offer a remarkable amount of color manipulation, along with a great selection of film and HDR looks. You can adjust white balance, exposure, contrast, highlights, shadows, and black point—all of which can be activated with keyframes. Saturation, Vibrance, Faded Film, and Sharpen adjustments are also available. But the curves and color wheel options are truly impressive. There's also a very cool Lumetri Scope view, which shows the current frame's proportional use of red, green, and blue. You can opt to apply any of these effects only in masked areas, which you can create from polygons or by using a pen tool. Free Sound Effects – 9. Sounds. Updated: December 1. Sounds is a place for talented sound designers from around the world to collaborate and promote their work with the audio community. This page showcases all the free sound effects which you can download on the site. Many thanks to all the sound designers who have released their sample libraries on 9. Sounds so far! Check back soon as this page will be constantly updated with new releases! The sounds hosted on 9. Sounds are completely royalty free. You can use them for music and video production, game development and any similar creative process. 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Scales image as needed. Retains image proportions (aspect ratio)Image is centered on page. Does not cause scrollbars. As cross- browser compatible as possible. Isn't some fancy shenanigans like Flash. Image above credited to this site. Awesome, Easy, Progressive CSS3 Way. We can do this purely through CSS thanks to the background- size property now in CSS3. We'll use the html element (better than body as it's always at least the height of the browser window). We set a fixed and centered background on it, then adjust it's size using background- size set to the cover keyword. But instead a fixed position div with 1. CSS- Only Technique #1. Big thanks, as usual, to Doug Neiner for this alternate version. Here we use an inline < img> element, which will be able to resize in any browser. We set a min- height which keeps it filling the browser window vertically, and set a 1. We also set a min- width of the width of the image so that the image never gets smaller than it actually is. The especially clever bit is using a media query to check if the browser window is smaller than the image, and using a combo percentage- left and negative left margin to keep it centered regardless. Here is the CSS: img. So, we can fix that by wrapping the image in a div. That div we'll make twice as big as the browser window. Then the image will be placed, still preserving it's aspect ratio and covering the visible browser window, and the dead center of that. Works in: Safari / Chrome / Firefox (didn't test very far back, but recent versions are fine)IE 8+Opera (any version) and IE both fail in the same way (wrongly positioned, not sure why)Peter Van. Wylen wrote in to say that if you add the image via Java. Script, the img needs to have width: auto; and height: auto; to work in IE 8, 9, or 1. View Demoj. Query Method. This whole idea becomes a lot easier (from a CSS perspective) if we know if the aspect ratio of the image (inline < img> we intend to use as a background) is larger or smaller than the current aspect ratio of the browser window. If it is lower, than we can set only the width to 1. If it is higher, we can set only the height to 1. We have access to this information through Java. Script. As usual around here, I like to lean on j. Query. Credits to Koen Haarbosch for the concept behind this idea. Works in: IE7+ (could probably get in IE6 with a fixed position shim)Most any other desktop browser. View Demo. Update (June 2. Reader Craig Manley writes in with a technique to load an appropriately sized background image according to screen. As in, don't load some huge 1. Phone. First, you'd make images like 1. Then instead of loading an img, you'd load a shim.< img id=. This code will account for that. Then you test the screen width and set the src of the image based on it. The code below does it on resize, which you may or may not want. You could just run the code once if you wanted. See this article. Enjoy. If you use this, please feel free to leave what technique you used and if you altered it in any way in the comments below. Always cool to see techniques . It had some cleverness, but wasn't quite as good as either CSS technique now presented above. Other Resourcesj. Query plugin: Vegas, by Jay Salvat. Samsung Galaxy Camera Support. Found this touchscreen monitor on the archive, its old but feature a touch gesture feature, the problem is that LG is no longer supporting t. Find the %topic% that's right for you. Distributor of a wide range of electronics products providing an online catalog and ordering. Don't let your Atom-powered netbook or low-specced laptop gather dust in a closet -- install a lightweight Linux distro and start enjoying mobile computing once again! 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